AK.14695 (2025), lead, cotta sandstone gwg
“Ich bin ein Bergmann, wer strahlt mehr?”
Johanngeorgenstadt in the Erzgebirge (east of Germany) was the first ever targeted mining of the radioactive uranium ore. More than 100 years later, the Wismut AG/SDAG transformed the ecosystem, inhabitants, culture and politics into a contaminated scenery.
Bundesarchiv_Bild_183-50115-0001,_Bergarbeiter_mit_Bohrmaschine
faust 207.2 (2025) lead, cotta sandstone gwg
5 – 17 Tage – U 92 (2024), uranium ore on 4×5’’ film sheet; aludibond print
uranium ore from the Erzgebirge
17 Tage – U 92 (2024), uranium ore on 4×5’’ film sheet; aludibond print
37 – LR – Strecke 653 NN (2024), granit stone, uranium glas, metal
37 – LR – Strecke 653 NN (2023), granit stone, uranium glas, metal
37 – LR – Strecke 653 NN (2023), granit stone, uranium glas, metal
installation view, Barbed-wire Ghost (2024), Leipzig
2800 – LR – Strecke 220 NN public sculpture (2024), cotta sandstone gwg, handmade glass
echo im westflügel (2025), handmade glass, metal
exhibition view Frappant Galerie Hamburg (2025); photo: Clara-Lilian Berger
AK.14695 (2025), lead, cotta sandstone gwg
“Ich bin ein Bergmann, wer strahlt mehr?”
Johanngeorgenstadt in the Erzgebirge (east of Germany) was the first ever targeted mining of the radioactive uranium ore. More than 100 years later, the Wismut AG/SDAG transformed the ecosystem, inhabitants, culture and politics into a contaminated scenery.
Bundesarchiv_Bild_183-50115-0001,_Bergarbeiter_mit_Bohrmaschine
faust 207.2 (2025) lead, cotta sandstone gwg
5 – 17 Tage – U 92 (2024), uranium ore on 4×5’’ film sheet; aludibond print
uranium ore from the Erzgebirge
17 Tage – U 92 (2024), uranium ore on 4×5’’ film sheet; aludibond print
37 – LR – Strecke 653 NN (2024), granit stone, uranium glas, metal
37 – LR – Strecke 653 NN (2023), granit stone, uranium glas, metal
37 – LR – Strecke 653 NN (2023), granit stone, uranium glas, metal
installation view, Barbed-wire Ghost (2024), Leipzig
2800 – LR – Strecke 220 NN public sculpture (2024), cotta sandstone gwg, handmade glass
echo im westflügel (2025); handmade glass, metal
exhibition view Frappant Galerie Hamburg (2025); photo: Clara-Lilian Berger